- Shocked GOP Leaders: “Trump Can’t Say That About White Women!”
- Trump is a Piece of Shit, and This Disqualifies Him From Being President
- Clementine, Aloft
- The Worst People in America: Donald Trump
- They Found Him in Vegas: The Guy Who Did It, the House Next Door
- Catching Us at a Bad Time
- The Island of Apples
- 104 Weeks of The Weeklings: The Best of Our First Two Years
- The Skinner Box
- Blue Spark, Part I
- Ronald Reagan, The Greatest President Who Ever Lived
- Delmark Records 1965
- The 50 Greatest Superhero (and Villain) Names of All Time
- The 50 Most Drug-Addled Albums in Music History
- The 50 Greatest Literary Character Names of All Time
- The 50 Greatest Band Names of All Time
- The 50 Greatest Civil War Names
- The 50 Greatest Pro Football Names of All Time
- From Axl to Zappa: The 50 Greatest Musician Names of All Time (Side A)
- The 50 Greatest Unrequited Love Stories Ever
- Song Beneath the Song: “Casimir Pulaski Day” by Sufjan Stevens
- Song Beneath the Song: Led Zeppelin’s “Stairway to Heaven” as Tarot Card Reading
- Song Beneath the Song: “The Reflex” by Duran Duran
- The Shame of Fat-Shaming
Author Archives: Jennifer Kabat
What is the difference between West Baltimore and Western Pakistan? Drones and American policing at home? Jennifer Kabat on Obama and his “signature strike.” Continue reading
What happens when language fails us? When words are just poor approximations, and they smooth over the weird and wonderful. Meet Kate Newby, whose art can be radically slight, and is failed by trying too hard to describe it.
Over the next two Sundays, we’ll be running pieces by the great Lynne Tillman. This is Jennifer Kabat’s introduction to one of the finest essay writers of our age.
What do Shia LaBeouf, Marina Abramovic and Jay-Z have in common? Or, Jennifer Kabat asks, when does a copy become a theft? Plus Big Foot and China and abstract painting…
Tragedy and triumph in New York about New York – Jennifer Kabat on Isa Genzken’s hallucinatory take on the city and the world at MoMA.
From Christie’s to Chandigarh in India, Jennifer Kabat traces the trafficking of chairs as art in Amie Siegel’s film Provenance.
Two Civil War shows at the Met make Jennifer Kabat wonder how the unspeakable nature of war gets translated into art. And what we gain and lose.
How to assess the value of the Detroit Institute of Arts? The week Christie’s is hired for the job, Jennifer Kabat offers her take on the city’s most valuable asset.