- Pillory Clinton: Stop Blaming Hillary, It’s Not Her Fault
- How Russia Infiltrated the Trump Campaign & Stole the Election (Abridged)
- Trump: the Good, the Bad, and the Ugly (Part 3)
- Compromised: Is Jared Kushner Taking Orders from Vladimir Putin?
- Russian Vote Hacking? Check. Collusion? Check. Quid Pro Quo? “I Love It.”
- Beyond Belief: Trump, Treason & the Failure of Imagination
- Baby-Boom Benedict Arnold: The Six Emerging Villains of the Russia Story
- Postcards from the Resistance, Vol. 8: Mother of All
- The Rosneft Commission: What We Should Be Looking For
- From Lance Armstrong to Trump: The Rise & Fall of the Deified Narcissist
- Reading Malcolm X in Texas
- Dah, Donald: Russian Blood Money and the FBI’s Case Against Trump
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- The 50 Greatest Superhero (and Villain) Names of All Time
- The 50 Greatest Literary Character Names of All Time
- The 50 Most Drug-Addled Albums in Music History
- The 50 Greatest Band Names of All Time
- The 50 Greatest Civil War Names
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- From Axl to Zappa: The 50 Greatest Musician Names of All Time (Side A)
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- How to Get Rid of Donald Trump: An Action Plan
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- Song Beneath the Song: Led Zeppelin’s “Stairway to Heaven” as Tarot Card Reading
- Song Beneath the Song: “Casimir Pulaski Day” by Sufjan Stevens
Category Archives: The Arts
In an excerpt from his memoir-in-progress, Cooking the Octopus, writer John Domini tells of a sweltering Naples afternoon spent as a painter’s subject. Continue reading
“I don’t put limits on myself, and I feel like I can—and I will—paint anything I want to, anything I can think of, and try any experiment I want. I don’t feel like I’m owned by pressure from a gallery to make this certain type of thing that sells, and stick with that because anything else will confuse people. I don’t care. I like being an independent because I don’t care if it confuses my audience. This is what I like.”
It’s the sincerest form of flattery, and it’s not going away, but imitation as a means of creation does not enjoy the acceptance it once did. What once was homage is now plagiarism. Guest Weekling Charlie Clissitt goes to bat for practitioners of the age-old art of looking over the shoulders of giants.
Part 2 of Kurt Baumeister’s discussion with author D. Foy wherein the topic turns to matters as diverse as Foy’s literary influences and a dog named Mrs. Roosevelt. And there’s an excerpt from Patricide!
In Part 1 of their two-part conversation, D. Foy and Kurt Baumeister discuss time, fathers, religion, capitalism, the state of literary fiction, and D.’s bold new book, Patricide.
I had only recently discovered the glories of a naked body entwined with mine and, like every sex neophyte since time began, I had figured nothing would ever compare. I was wrong.
The most revealing Prince video. Watch it while you can.
Everyone else may hate U2, but Kurt Baumeister will always love them in spite of themselves.
Prince and I did not get off, so to speak, on the good foot. While he would ultimately influence me – both personally and musically – as much as Bowie or the Beatles (my Trinity), his presence initially challenged the most important friendship of my life. Then, it cemented that friendship, and led to funk n’ roll adventures alongside a superstar-in-exile named RuPaul.