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Sunday Magazine

“Sunday in the Park” is a Weeklings’ special feature where we share the work of noted artists (or ones we think should be noted). We delve into the issues in their work as well as those in contemporary visual culture. Edited by Jennifer Kabat and Megan Whitmarsh, the section also includes contributions from guest curators.

As seen on HBO and Netflix. And at MoMA...

Is He For Real? The Blurry Boundaries Of Contemporary Performance

Stuart Brisley's Hille Fellowship installation, Poly Wheel – Robin Day stacking chairs. 212 chairs in a circle

But is it Art? Conceptual Art, Corporations and the Artist Placement Group

Mondrian, "Fox Trot, Lozenge Composition with Three Black Lines," 1929.

Composition with Black Lines

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The Speed of Light – Everything Was Moving: Photography from the 60s and 70s

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Fill In The Blank: Colleen Asper

Martha Rosler in MoMA's atrium, quite possibly ground zero for value in the art world.

Make Me An Offer, Martha Rosler at MoMA

Tino Seghal's Interpreters in a Swarm in Tate Modern's Turbine Hall. Photo by Phil Rogers

Wish You Were Here: Tino Sehgal at the Tate

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Wilting Powers & Surface Majesties – Michelle Lopez, Feminism and Minimalism

Michelle Segre, Transmissions of the Threadbare 1997-2012, courtesy of the artist and Derek Eller Gallery.

Michelle Segre: Transmissions from a Land Once Upon a Time

Unhinged from her family, Marlene Olive along with her boyfriend killed her mother and then her boyfriend killed her father. Marlene McCarty, "Marlene Olive," ballpoint pen and graphite on paper.

Marlene McCarty – What Lies Between the Lines

Now Hassani is working on a stronger model.

Blowing in the Wind, Massoud Hassani’s Mine Clearer

Jane Dickson Gameboy 4, oil on linen

Jane Dickson: A Walk on the Dark Side

rabbits with foot gumball

Scott Patt: Hexes, Bunnies, Brands, Hope and Sadness

Harlem-

A Visit To the City: States of Matt Nolen

Flight, 2011 28” x 24” x 9”- Blown glass, mixed green and blue hollow murrine woven with copper wire on to steel stand.

A Life Aquatic: The Glass Sculptures of Kait Rhoads

Quilts on a Line	2009 	Aluminum, cut traffic signs, steel 	120” x 160” x 36” 	Installation view: The Metals Mu

The Elegant and Beautiful Work of Greely Myatt

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Tess Mayer – SOMETHING OF THE ARBUS ABOUT HER

Barely  Survivng-, 2005 8 1/2" x 5 1/2"  graphite, colored pencil on paper

The Haunting and Lovely World of Benjamin Jones

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